Nicole Kidder, Contributing Writer for MyDomaine

How to Write an Author Bio Examples & Tips to SELL

Nicole Kidder, Contributing Writer for MyDomaine

Your author bio matters. As much as we wish we could write up a few words about our lives and just stick it up for the world to see, there’s a lot more to it than that.

How you write our author bio can change the way potential readers and those who’ve already purchased view you and your platform.

It can also impact whether or not they buy another of your books, if you publish multiple.

But knowing the best way to write your author bio and how to make it speak to your readers in a specific way is the key…and we’ll cover just that for you, with examples.

Here’s how to write an author bio:

Your Author Bio & YOU Do Matter

If you’re looking for a deep-dive on your author bios and the self-publishing industry as a whole, your best bet is to check out this video.

Not only will you learn a lot you didn’t know about self-publishing a book as a whole, but you’ll learn why these small details are so important.

It’s the first stepping stone to truly understanding what makes a successful author.

The other steps take quite a bit more time…unless you have a solid system to teach you the way. We help save our authors tons of time, even after some have wasted years, by showing them how to write and publish a book in as little as 90 days. Check out what we can do for you and your author career here.

What is an author bio?

An author bio is a paragraph or so about you, your credentials, your hobbies, and other information you wish to share with readers.

It’s how readers get to know you beyond the pages of your book. While your books are a great way to introduce yourself, an author bio can set you apart, bring in more fans, and even sell more books if you know how to write it correctly.

That’s what we’ll teach you here today.

How to Write an Author Bio That’s Impactful

So you’ve finished your draft and are ready to tackle the next steps of putting it out there in the world. (Promise me that you’re not procrastinating by reading this blog! If you are, get back to writing right now!)

The first step is to figure how who you want to be perceived, how you want to brand yourself, is in your author bio.

This is the blurb that will go on your Amazon author page, your Book Bub author profile, your Goodreads page, your author web page, on the back of your book and so forth. It’s a really important little piece of work that you want to get right!

While your book cover design is the most important tool when marketing a book, your author bio is easily number two. This is where you convince your audience why you are the best person to tell them about the matter at hand.

It’s a place to connect with your readers and build your legitimacy.

You’ll want to stay factual while interesting. You want to make yourself approachable and toot your own horn, just a little bit.

Here are some tips to master these.

#1 – Author Bio Formatting

Although you are writing the author bio, it still needs to be written in the third person no matter how quirky it is. In other words, avoid using “I” as your sentence subject but utilize your name or last name instead.

Additionally, you’ll have many drafts and varieties of this author bio. You’ll want to change it up depending on the application.

You may have a punchier version on your website while your bio for that speaking engagement session at a writing conference that you’re leading (and we’re confident that will happen for you!) will be more serious.

Today, we’re working on the basic draft that you can tweak as needed.

Remember to keep the bio short, less than 300 words. It seems that three sentences is a well-tested length (more on this later). Your author bio is not an entire list of every single award you’ve won or your life story.

Even if you did win the “Young Writer’s” award in middle school, unless you’re still in middle school, this little known fact probably doesn’t deserve to be on the back of your book.

Feel free to have a “full accolades” section on your author website where you can list every single thing you’ve ever done, won or written.

Your mom will be super proud of this list but readers browsing Amazon don’t need to get into the major details.

Here’s how to format an author bio wrapped up:

  • Use third-person POV when writing it
  • Keep it under 300 words
  • Add relevant/recent achievements
  • Minimize the number of sentences within those 300 words.

And remember: an author bio longer than 300 words or so will take up too much space and become an oversell.

#2 – Know Your Readers

Your bio is an extension of your book.

Write it for your audience. Keep the same writing style and connect this text to your subject matter.

If you wrote a book on productivity, a lengthy sentence about your lazy vacations doing nothing is not relevant and in fact, can persuade readers to avoid your books because they’ll think you to be uncredible.

Here are a few tips for getting to know your audience:

  • Interact with your readers on social platforms
  • Listen intently to the feedback during the beta reading process
  • Run your author bio by a group for feedback and adjustments
  • Ask people close to you if the bio embodies your personality and is accurate

#3 – Include Your Background

In order to sell yourself to new readers, you will want to include your pertinent background. If you happen to have other books, do include their titles and how many languages they have have been translated into or how many countries they’ve been sold in.

List your related education and memberships. Any higher education beyond college is usually noteworthy too.

Keep your lists short though. Only list three books, for instance, and a couple of memberships. A list of ten books, three degrees, and five memberships will only be skimmed by potential book buyers at the very best.

A huge list this will become white noise so only include the most important and interesting stuff.

Your fanboys and girls (and your mom’s friends) will look to your aforementioned author website for more info and you can keep the tidy, complete list there.

#4 – Stay Factual

Statements , “has always dreamed of writing a book,” while certainly may be true, are hard to back up and aren’t going to help sell your book.

Stick to the facts and to what you can prove. 

Another reason for this is if you claim achievements that aren’t true or invalid, there will always be someone there to point it out in an attempt to cut you down.

This can reduce your credibility, and therefore, readers’ trust in you.

#5 – Use your personality

One of the best things about being an author is that you get to put your personality, views of the world, values, and more into your writing.

What some don’t understand about authors is: if a reader s you, they’re very ly to enjoy what you write, because your essence bleeds into the pages.

Being able to showcase this with your personality can do worlds for your readers connecting with you and wanting to read your book curiosity if nothing else.

Here are a few tips to add personality to your author bio:

  • Exaggerate your tone just a little in order for it to be more evident
  • Be goofy and creative with how you describe yourself (See Jenna Moreci’s example in #11)
  • Have fun with it!
  • Throw a joke in your bio

#6 – Include an achievement or award

In addition to your backlist of books, your awards, and education, you’ll want your readers to know any higher-profile stuff you have going on.

Be sure to cover your awards, your following, and any big deal author interviews or features.

Again, if any of these this happened decades ago, it may not be relevant. But if you have a quarter-million followers on or on your blog, this will sell your authority (and yeah, a quarter-million sounds better than 250,000 but are the same number!).

If your writing has been nominated for awards but didn’t make the cut, that is often fitting for an author bio too. “Award-nominated” anything is pretty cool!

#7 – Get personal in your author bio

Provide a bit of personal information to connect with your audience. The reason for this is if a reader sees something they have in common with you, it’s an automatic bond and gives them more of a reason to buy.

It’s standard for authors to share where they live and what their family make-up is.

A few non-divisive hobbies and interests are also often included. If you have experiences that are related, such as extensive travel or extreme situations, they may relevant to share as well.

Again, know your audience and choose wisely. Maybe (terribly) you were part of a cult as a child?

That’s really interesting but unless you’re sharing this story in the book or proves your authority on the subject at hand, skip including it in your author bio!

Bonus Author Bio Tip: Keep these bits broad enough to include a larger number of people. For example, if you play the flute, simply mention that you’ve been playing an instrument for however many years as this is more inclusive, and there’s a higher chance of others connecting with you.

#8 – Author Bio Example – Chandler Bolt

We all known and love Chandler Bolt, Self Publishing School Founder. We wouldn’t be here learning about writing without his hard work and book writing methods. Chandler’s author bio on the back of his book Published is only three sentences long but packs in a lot of authority building, states facts plus toots his horn a bit.

These three sentences along with the killer book cover art work well to sell Chandler’s mastery of book publishing.

Chandler’s Amazon Author Page is another version of his author bio. Here, Chandler gets really personal stating that his birth was almost miscarried!

He also gives some background about his entrepreneurial experience and awards.

#9 – Author Bio Example – Joanna Penn

Joanna Penn is a New York Times and USA Today bestselling thriller and nonfiction author who also writes under the pen names of JF Penn and Penny Appleton.

She’s written and self-published nearly 30 books so she really knows what she’s doing. On her Book Bub author page, Joanna’s short bio is only (surprise!) three sentences.

It concisely tells potential readers a short version of her accolades and narrows down her writing style quickly. Then it tells us where she lives and one of her favorite drinks.

On her own website, The Creative Penn, Joanna provides a different three-sentence version of her short bio and then gets into the details about all her books, the many awards and best-selling experience she’s had plus where she lives and her favorite wine (a different drink mentioned here!)! Joanna’s short bio on her page is three sentences and shoves in a ton of accolades into a small space.

#10 – Author Bio Example – Amy Twigg

SPS alumni, Amy Twiggs, wrote her first book the Self Publishing School way and can now call herself a best selling author among her many other accomplishments (and there are many!).

On her Goodreads page about the same book, she sells the book by telling prospective readers that she’s been where they are and know “what it feels to try your best and to fail.

I also know how it feels to work hard to achieve your goals.” She sells her wisdom and experience. Note that it is the norm to write in the first person on Goodreads but this is a big rule breaker everywhere else.

All of these examples have variations of author bios written in just a slightly different way for different applications. They all say very similar things about the same person.

#11 – Author Bio Example – Jenna Moreci

If you haven’t heard of this full-time self-published author and r, that’s surprising!

Not only does Moreci have ample experience when it comes to self-publishing, but she’s also among one of the best examples of how to market your book effectively, including how she’s written her author bio.

Here’s an example of her Amazon author page with her bio:

Notice how Moreci keeps it short, brief, but very clear with who she is, what she writes, and even has enough personal information to let readers into her life at an appropriate level.

If we take a look at her personal author website’s “about” page, we’ll see she has something similar, but with a few more additions, including her books and more.

In this example, Jenna has also doused us with her personality, giving us insight into how she operates and therefore, the tone of some of her books.

More Ideas for Writing an Author Bio

Know the very essence of your book and find keywords that your readers may search for to find your book. When crafting your author bio, use these keywords that search engines can catch. 

Although it may be irrelative in some bio spaces, add links to any free giveaways (we’ve got some ideas on that here..) on your website, your newsletter, social media or whatever web presence you have. 

Also, feel free to add a call to action where applicable.

Final Author Bio Thoughts

Remember that there is no perfect bio, and there are no two a. Although these are all good ideas, it’s not an exact formula. Your author bio will be unique and will change as you write more books and gain more accolades (because we know you will!). 

Now tell me the truth. Is your book really done? We can help you finish your manuscript and really make use of this carefully crafted author bio! Schedule a webinar with Chandler today to get started!

Do you have more author bio tips to share with our writing community? Do you think bios should be longer than three sentences or do you this standard size?


New York Women in Film & Television Unveils Screenwriters and Mentors For Fifth Annual Writers Lab

Nicole Kidder, Contributing Writer for MyDomaine

New York Women in Film & Television and The Writers Lab co-founders Elizabeth Kaiden and Nitza Wilon have revealed the 12 screenwriters to participate in The Writers Lab, which celebrates its fifth year. The program has also unveiled their roster of mentors.

The Writers Lab launched in 2015 and is the only lab in the world devoted exclusively to script development for women writers over the age of 40. It creates a springboard to the next stage of production and expands the boundaries of today’s commercial narrative film. Many past participants have seen their scripts optioned and/or are actively working in writers’ rooms.

The program, which is presented in collaboration with the Writers Guild of America, East, is supported by Oscar-winning actresses and Big Little Lies stars Meryl Streep and Nicole Kidman.

“I am so proud The Writers Lab has thrived and grown in these five years, and has functioned as a springboard for so much promising talent,” said Streep. “As the supply catches up with the demand from an audience previously ignored in film history, the prospects grow ever brighter – Brava Divas!”

Kidman adds, “Congratulations to this incredible group of emerging talent and to The Writers Lab for continuing to build a space for women to work with one another and develop the stories they want to tell. As more stories by and about women ripple outward, more opportunities are created for women on both sides of the camera.”

The Writers Lab has also launched a new podcast about the art and commerce of screenwriting. The first episode features past Lab mentors producer Lisa Cortes (The Apollo, Double Play, Shadowboxer) and writer Amy Fox (Equity, The Conners).

The Lab is an intensive four-day script development retreat for women screenwriters over 40. Meeting one on one and in panels with outstanding female film professionals, as well as in peer groups and directed discussion sessions focused on craft and the industry, talented writers examine and refine their work while building a unique and powerful community.

This year’s mentors include:

  • Susan Cartsonis: A top grossing producer (What Women Want, Where the Heart Is, The Duff, Carrie Pilby)
  • Shruti Ganguly: Award-winning producer, writer and director (The Color of Time, Initials S.G.)
  • Lisa Jones: Author and Screenwriter (Disappearing Acts, The Wedding)
  • Theresa Rebeck: Playwright, Screenwriter (Jessica Chastain’s upcoming 355, Trouble, Catwoman), Television Writer, Novelist
  • Mary Jane Skalski: Producer (Hello I Must Be Going, The Visitor, The Station Agent)
  • Robin Swicord: Academy Award-nominated screenwriter (The Curious Case of Benjamin Button) whose work includes Memoirs of a Geisha, Little Women and others
  • Pat Verducci: Writer / Director (True Crime), Professor, Script Editor, Story Consultant

Read the 12 participants of The Writers Lab 2019 below.

  • Tara Orr Brenninkmeyer, The Fledgling
  • Susan Brunig, The Surveillance of Ordinary Things
  • Tricia Cerrone, The Skeleton Watch
  • Meg Waite Clayton, The Last Train to London
  • Jiwon Lee, At Sea
  • Ann LeSchander, Picking Up Porter Douglas
  • Julie O’Hora, Extreme Closeup
  • Alyson Richards, The Retreat
  • Miatta Ronca, Blue World
  • Kenyetta Raelyn, Borderline
  • C.C. Webster, Little Buffalo
  • Elizabeth Ziemska, Hunt Relic

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Spotlight on: Liane Moriarty

Nicole Kidder, Contributing Writer for MyDomaine

I’ve decided to do a little “Spotlight On” post about authors I really love and admire. I’ll scour the Internet for interviews they’ve done and essays they’ve written to gather up some interesting tidbits about their lives and writing process. Sound fun? I think so.

First up: Liane Moriarty.

I fell in love with Moriarty after reading Big Little Lies. I followed that up with The Husband’s Secret. Also good. Next in my queue: What Alice Forgot. Moriarty is great with making everyday life salacious and suspenseful. And she’s freaking hilarious.

On her writing process:
“I don’t plan my novels…[In Big Little Lies,] I came up with the idea of the school trivia night where things went terribly wrong, then I just tend to start writing…It just seems to happen in an organic way. I guess I wrote it in that way because that’s all I knew [about this story].

I’m not a planner, and as I look back, I find it hard to remember how it all came about…I just flail about a lot at the beginning. Obviously by the end I’ve worked it all out, so then I can go back and put in some little red herrings. I sometimes worry that when I say I just make it up as I go along that it sounds so easy.

” (Source)

“I just tend to come up with a premise and dive in and hope that an ending will come to me. It means there is a sense of anticipation because I think, I wonder what’s going to happen?” (Source)

On having multiple characters:
“One of the complaints people have—if they’re going to criticize something about my books—is that there are too many characters. I can’t seem to help myself. As a reader, one of my earliest memories of reading was one of those huge sagas.

It was a whole section of the book from one character’s perspective, and then suddenly you went into a new section. He opened the door, and suddenly we switched perspectives to the person on the other side of the door.

And I just remember getting goosebumps, suddenly seeing him from that other character’s perspective, and as a result gaining a whole new perspective on that character. I just enjoy writing and reading in that way.” (Source)

On empathy (which I think is essential for writers to really get characters right):
“If you allowed yourself to feel complete empathy for all the terrible things that are going on in the world, you wouldn’t be able to get bed.

So in a way you have to protect yourself by living in your own little bubble, but then at the same time finding a way to do what you can and not close yourself off completely. It’s something I personally struggle with.

When you watch something on the news about some terrible atrocity, you can cry and allow yourself to feel it. And then you switch the channel, and something else is going on. So how do you adjust to that? I don’t actually know what the answer to that is. There’s so much more awareness.

Obviously in the world today we hear straightaway of terrible things that are going on. We know what’s going on, but what we do with that information, I don’t know.”  (Source)

On creating characters:
“I always say that I never steal an entire personality, but I do take little bits and pieces from people.

For example, the character of Madeline [in Big Little Lies]—there’s a friend who’s one of those people who’s always beautifully dressed with the right accessories. I just find those people fascinating. It’s a pleasure to look at them.

I started out with that little personality attribute, and then from that I just build them into somebody entirely different. Some authors have little folders, and they really plan out their characters.

But I just start writing the characters, and in the beginning they’re quite wooden and I can’t make them move properly, and I sort of get to know them by writing. And I go back again to the beginning and say, OK, Madeline wouldn’t say this, because now I know her.” (Source)

On fiction:
“Friends and family do not believe you write fiction. They truly believe that every word you write is either autobiographical or them. I once had a character say that she never wanted to be invited to another children’s birthday party, and I never received another children’s birthday party invitation ever again.” (Source)

On doubt:
“You feel a little bit silly writing your first novel, thinking, What’s the point of this? Even right now I still feel silly, to just sit down and make up a story and think—this is my job—sitting at my computer, making up a story. It just feels sort of foolish sometimes. I can’t let it take hold of me, that every single time I start a novel I think, I can’t do this.” (Source)

“Asking myself ‘Is this any good?’ is pointless. It just slows down my writing and I can’t tell anyway. It’s always the paragraphs I loved most, the ones I tenderly polished and re-read with pride, that my editor will suggest cutting.” (Source)

On her writing routine:
“It’s now driven by when I have child-free time. In a way I’ve found that’s really good for me. I’m a more productive writer than when I had whole days to mess about and put it off. The only other things I do—I use that program Freedom that turns off the Internet.

I love that! It’s become part of my ritual, to set it for a period of time. It’s almost that makes me write. It’s crazy because it’s only $10, and it stopped working for a while. I thought, I’m not going to pay again for this program, I’ll try to live without it and just turn off the Internet myself.

But I couldn’t! I had to pay again to get the program!” (Source)

“I write in my home office when my children are at school or pre-school or when they’re playing outside my door with their lovely babysitter.” (Source)

“Every time I sit down to write I need to commit to a word count goal, otherwise I waste too much time editing and re-editing my previous work, staring dreamily off into space, pretending that I’m thinking profound, poetic thoughts when really I’m just thinking, ‘Look at me being a writer! I’m so happy I’m a writer!’ My real thinking and planning gets done when I’m doing something else driving or walking or taking the shower. When I’m at the computer, I need to write.” (Source)

On research:
“Google is my best friend and my worst enemy. It’s fabulous for research but then it becomes addictive. I’ll have a character eating an orange, and next thing I’m googling types of oranges, I’m visiting chat rooms about oranges, I’m learning the history of the orange. It’s bad for my word count.” (Source)

On writer’s block:
“Sometimes when I’m stuck, I really do need that cup of tea, or that chocolate, or a break, or a walk, but in most cases what I actually need to do is make myself keep writing until it flows again. I’ve always found this hard to accept because it’s counter-intuitive, when people say you should exercise harder to cure a stitch. (Although, I don’t believe that at all. Stop! Rest!)” (Source)

On advice for aspiring writers:
“Think of nothing else but the story – not the world of publishing, or what makes a best-seller, or should you self-publish or not, or should it be double-spaced (yes), or should you make it more erotic (probably, if you can! Wish I could) or how will you make sure nobody else steals your ideas (they won’t) – just lose yourself in the pleasure of writing your story. Then edit, edit, edit.  THEN and only then should you think about all that other stuff.” (Source)

Fun facts:

  • Her name is pronounced Li-arn
  • She’s 49; published her first novel at 38
  • She was born in Sydney and still lives there
  • She’s the oldest of 6 children
  • Her parents aren’t writers, but she says they are natural storytellers: “When we were growing up Dad would spin tall tales for us. (His mantra is, ‘Never spoil a good story with the facts.’) Mum can turn a five-minute trip to the shops into a saga complete with tragedy, pathos and unexpected twists that leave you saying, ‘Uh . . . what?'” (Source)
  • She has 2 kids: a 6-year-old son and a 4-year-old daughter. She says, “I came quite late to motherhood and as a result I tend to look at the world of parenting with the wide eyes of a tourist” (Source)
  • me, her career began in advertising and marketing. According to her website, “she became quite corporate for a while and wore suits and worried a lot about the size of her office.” She eventually left her position as a marketing manager to run her own business (The Little Ad Agency). And then she became a freelance advertising copywriter, where she “was writing copy that ended up on the back of packets of Sultana Bran” (Source)
  • Some of her favorite authors: Anne Tyler, Carol Shields, Elizabeth Berg, Anna Quindlen, Maggie O’Farrell
  • She was motivated to write novels after her older sister Jacyln published a book: “If my sister hadn’t been published first, I’m quite sure I would have never pushed myself to finish that. It was pure envy that drove me to finish that first novel” (Source)
  • She’s thinking her next book should take place on a tropical island: “which will obviously require days, even weeks of meticulous research but I’m prepared to make that sacrifice. That’s just the sort of dedicated writer I am.” (Source)
  • Nicole Kidman and Reese Witherspoon have optioned the rights to Big Little Lies
  • She’s actually not that popular in her native Australia, despite her success around the world